As the morning session of the first day began, Ichitaro appeared from the back of the theater through the aisle of the audience seats for the performance of "Hakarazaretebiki-Kojo (While Speaking Outspokenly)", dressed in costume, saying, "I want to get closer to the audience. He said, "The actors of the Heisei generation will take on the classics and introduce classical Kabuki. In "Kawasho," the play is a play of colorful love, and Magoemon (Hayato Nakamura) is acting even without lines. In "Shomon," the stage is bewitching and atmospheric. The production is different for the Sakura and Matsu programs. Please take a look at the rehearsal scenes in the pamphlet. The audience was also upset by the unexpected photo time, but were happy to take pictures of Ichitaro alongside Minamina.

Under the direction of Nakamura Ganjiro, Ukon plays the role of Jihei in "Kawasho," one of the Matsu programs, and the dialogue between Ukon and Hayato is one of the highlights. Jihei is angry, crying, and mischievous, and is somewhat lovable, but when he thinks of Koharu (Ichitaro), his heart aches. It is also interesting to catch a glimpse of the same love-hate drama and human drama of the past and present.

The role of Mitsukuni changes with each program, as do the direction and costumes, so be sure to catch both programs of "Shinobu Yoru Koi Kyokusha Shomon". The bewitching and gorgeous dance of Princess Takiyasha, played by Ichitaro, is of course a must-see, but you will also be overwhelmed by the actors who move around the stage with agility and agility!

The cherry blossom program will feature "Onna Koroshi Abura Jigoku", in which Hayato takes on the role of Yohei under the supervision of Nizaemon Kataoka, a classic work chosen together with "Kawasho" to commemorate the 300th anniversary of Monzaemon Chikamatsu's death. The scene with Okichi, who is slaughtered by the insane Yohee, is so tense that one gulps and holds one's breath.

Nakamura Ichitaro, Onoe Ukon, and Nakamura Hayato performed all three plays together in "March Hanagata Kabuki," which was not only interesting in the classic sense, but also filled with the enthusiasm of the Heisei generation in their early 30s. The actors, who of course have not only the vigor of youth but also the ability to captivate audiences with their traditional skills built up through their experience, convey an atmosphere of mutual support and mutual improvement, leaving the audience eagerly awaiting the next performance.

Kabuki novices and regulars alike will enjoy the gap between the intimate atmosphere of the "乍憚手引き口上" and the breathtaking dancing and standing movements in the performance, and will be inspired by their passion for Kabuki. For beginners in particular, we recommend the earphone guide (800 yen), which explains the meaning of the stage interactions, costumes, stage equipment, music, etc., so that you can better understand the story by thinking, "That's what this gesture means," or "This scene is explained by the music lyrics," and so on.

In addition to the photo opportunity at the top of the stage, there is a photo area in the theater of the Minamiza, which is a great place for fans to "guess and live".